There’s a moment about 90 seconds into Catching Shapes’ “Let Me Go” where the track breathes in as a subtle synth pad dilates outward like it’s been holding tension too long. It's a sigh, a stutter, and then a low-end swell that doesn’t just fill the room. It seems to reconsider the room altogether. It’s that kind of track: introspective but kinetic, built for headphones in twilight, not hedonism at peak hour.

Imagine a time traveler arriving unannounced at a lo-fi underground club hosted inside a lava lamp factory. That’s “Fever,” the latest collaboration between The Time Meddler and Timothy and the Apocalypse, an eccentric, seductive, and surreal sonic hallucination.

The track doesn’t simply groove, it radiates. It pulses like a neon mirage inside a velvet beanbag filled with vintage synths and unresolved spiritual questions. From the first few bars, it draws the listener into a lucid state, equal parts seduction and simulation. By the second chorus, you may find yourself questioning the emotional needs of your toaster oven.